Fiddler on the Roof in Yiddish (2018) | photo by Victor Nechay
The Award-winning National Yiddish Theatre Folksbiene [NYTF] is the longest continuously producing Yiddish theatre company in the world. The company presents plays, musicals, concerts, lectures, interactive educational workshops and community-building activities in English and Yiddish, with English and Russian supertitles accompanying performances. NYTF serves a versatile audience of approximately 100,000 individuals annually, comprised of performing arts patrons, cultural enthusiasts, Yiddish-language aficionados and the general public, while also using the arts as a vehicle to educate youth and adults about Jewish heritage. The NYTF outreach program takes events around the region, nation and world, bringing programming annually to over 18,000 individuals.
Yiddish Rialto to the Silver Screen (2017) | photo by Victor Nechay
National Yiddish Theatre Folksbiene’s mission is to celebrate the Yiddish experience through the performing arts by transmitting the rich cultural legacy in exciting new ways that bridge social and cultural divides.
National Yiddish Theatre Folksbiene fulfills this mission by:
• Sustaining Yiddish culture through the arts
• Bridging diverse communities through multicultural programming
• Dramatizing the Jewish experience
• Educating future artists and audiences
• Strengthening cultural identity in each generation
Tribute to Elie Wiesel: A Community Reading of Night (2017) | photo by Victor Nechay
The Yiddish theatre represents a rare but vital connection to a culture, a language, and a way of life nearly destroyed following the second World War. Now entering its 104th season, NYTF has a burgeoning creative engine but must maintain a connection to future generations who may never have heard of Yiddish or encountered Eastern European Jewish culture in its original form. While this material has evolved in America to suit contemporary sensibilities in the form of the comedy of Jerry Seinfeld or Woody Allen, the music of Matisyahu, or nearly any musical play in the American Theater canon, its source material is largely neglected and those seeking cultural roots are often stymied by the language barrier of Yiddish. Employing a collective creative mindset in keeping the culture fresh and relevant, and with the use of translation titles accompanying performances, NYTF provides access to the hundreds of years of cultural expression, aiming to inspire the imaginations of the next generation to contribute their own stories to this valuable work.
The members and founders of Folksbiene Branch 555 Workmen’s Circle (1915).
The Bronx Express (1968)
A Goldfaden Kholem (A Goldfaden Dream)
National Yiddish Theatre Folksbiene [NYTF] is America’s preeminent Yiddish theatre. It is the longest continuously-producing Yiddish theatre company in the world and the oldest consecutively-producing performing arts institution in the US. Founded in 1915, “Folksbiene” (the “People’s Stage”) continues its mission to preserve, promote and develop Yiddish theatre for current and future generations and to enhance the understanding of Yiddish culture as a vital component of Jewish Life.
NYTF is the sole survivor of fifteen Yiddish companies that played to enthusiastic audiences on the Lower East Side in the Golden Age of Yiddish Theatre in the early 20th century. Founded under the aegis of the Workmen’s Circle, the Folksbiene Yiddish Theatre became an independent nonprofit in 1998, with a commitment to make the world of Yiddish theatre accessible, enjoyable and relevant to new generations and audiences beyond its core Yiddish-speaking constituency. In recognition of its role in the Jewish immigrant experience, the theatre was renamed National Yiddish Theatre Folksbiene. Today, English and Russian supertitles accompany each performance.
Each season, NYTF presents more than 120 programs and performances to a combined audience of over 150,000 individuals. The company’s mainstage productions, touring shows, signature concerts, literary readings, workshops, lectures and family programs, continue the legacy and traditions of an immigrant people in a contemporary venue. They cheer new generations of artists working in Yiddish who are reinforcing Jewish identity, renewal and pride within a multicultural world.
NYTF’s acclaimed repertoire encompasses classic plays and musicals from the Yiddish theater canon, new adaptations of Yiddish literary masterpieces and newly created works, including the 2002 world premiere of Isaac Bashevis Singer’s Yentl in Yiddish; Di Neksdorike, The Lady Next Door (2003); On Second Avenue (2005); Di Yam Gazlonim!, The Yiddish Pirates of Penzance (2006); the U.S. premiere of I.B. Singer’s Gimpel Tam (2008); Theodore Bikel’s Sholom Aleichem: Laughter Through Tears (2009); The Adventures of Hershele Ostropolyer (2010); Fyvush Finkel Live!(2010); The Golden Land (2012); the Broadway Yiddish musical The Megile of Itzik Manger (2013); the 1923 Rumshinsky operetta The Golden Bride (2015 & 2016); Amerike – The Golden Land (2017).
Productions and programs are open to all who wish to gain a deeper appreciation of Yiddish language and culture. NYTF’s core audience draws from among the two million Jewish Americans in the tri-state region, but critical success, awards and audience enthusiasm are winning the attention of a broader theatergoing public from across the country and around the world.
Yiddish has embodied the hearts and minds of the Jewish people for centuries. It speaks with humor and passion of the human condition, our strengths and frailties, our hopes, fears and longings. NYTF is uniquely positioned to serve as a living resource of this rich cultural legacy. In celebration of its enduring vitality, NYTF was presented a 2007 Drama Desk lifetime achievement award for “for preserving for 92 consecutive seasons the cultural legacy of Yiddish-speaking theatre in America.”
NYTF celebrated its 100th Anniversary in June of 2015 with KulturfestNYC, the 1st international festival of Jewish performing arts in New York City, featuring over 140 performances by artists from North and South America, Europe, Asia and Africa. The Festival’s success inspired an even larger version of KulturfestNYC in 2016, this time spanning from May through August.
In its 103rd season, NYTF expanded its mission to include the restoration lost and forgotten works of the Jewish arts and was a producer on the Broadway stage play Indecent. Now in its 104th season, the company presented Fiddler on the Roofin Yiddish garnering rave-reviews and marking a historic six month run of an NYTF production.